Garbo and Gable: what a pair! MGM was notoriously dense when providing Garbo with a suitable leading man, but here they nailed it.
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| They walk in beauty |
In 1931, Greta Garbo was more than a queen of the movies. Like the empress of some remote, exotic land, she retained her air of mystery and wonder as talking pictures smashed, as Norma Desmond said, “the idols of the world.” Garbo survived sound. Her deep, accented growl complimented her image. But sound, combined with the changing tastes of depression-era audiences, also robbed her of some of her power. She moved with authority in the movie-worlds of satins and furs, of heavy sighs and sophisticated shrugs. But by 1931, audiences craved something more realistic, something grittier, something so un-Garbo.
She had proved that she could knock back a viskey with the best of them in her first talkie, Anna Christie (1930). After a few more sophisticated roles, MGM again walked the pre-code tightrope with Garbo in 1931’s Susan Lenox (Her Fall and Rise).
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| Garbo and Gable play house |
In 1931, the pre-mustache Gable was just beginning his long rein as the king of Hollywood. No matter how ordinary Garbo is made to look in this film, she is never just a regular gal. Can you imagine finding Garbo in your barn in a storm? Gable, however, no matter how gorgeous, always comes across natural and at ease and just an ordinary guy who happens to to look like a movie star. He is modern, she is timeless.
The story is wild, with Garbo joining a circus, living as the mistress of a crooked politician and finally chasing Gable, who has rejected her, to the jungles of South America where both (he a drunk and she a not-quite prostitute/dancer) are reconciled. She gets to wear an array of fantastic Adrian designs and is more "regular" than she ever appeared before or since. The scene where Gable teaches her to fish is adorable. Garbo is many things, but she is rarely cute or adorable. It is great fun to see her this way.
So, here is Garbo, giving her usual fine performance, looking spectacular and having a grand old time and it is Gable who, I think, dominates. He is new, he is bright and, yes, he is the future and there is no turning back.
While is has been said that Garbo and Gable did not like one another, their chemistry is undeniable. So much so that Garbo was given first crack at re-teaming with Gable in Red Dust. After Garbo declined, the role went to Jean Harlow, another nod to the future. Garbo would go on to give 10 more magical performances before retreating to the realm of the gods - her true home. Gable would continue as a star of the first magnitude for another 30 years.
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| Mustache or no mustache - HOT |
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| Garbo as the farmer's daughter |
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| Garbo laughs - and fishes! |
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| Hard working circus professional |
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| A celestial vision |
So, here is Garbo, giving her usual fine performance, looking spectacular and having a grand old time and it is Gable who, I think, dominates. He is new, he is bright and, yes, he is the future and there is no turning back.
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| Passing the torch |
While is has been said that Garbo and Gable did not like one another, their chemistry is undeniable. So much so that Garbo was given first crack at re-teaming with Gable in Red Dust. After Garbo declined, the role went to Jean Harlow, another nod to the future. Garbo would go on to give 10 more magical performances before retreating to the realm of the gods - her true home. Gable would continue as a star of the first magnitude for another 30 years.
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