May we take a pause for moment a thanks to those precious movie-loving guides who shepherd us through our (hopefully) never-ending journey of classic film education and appreciation? You know who I mean – folks like Joe Franklin, Robert Osborne and the late, great John Kobal.
Besides being an important historian, collector and writer, Kobal was – above all – a fan. His enthusiasm was that of a star-struck fan. It is an enthusiasm with which I easily identify and admire. One of the great treasures on my library is Kobal’s 1985 collection of interviews called “People Will Talk” (Alfred A. Knopf publisher). It is worn, torn and mighty dilapidated, but I will only part with it when it turns to dust.
It all started with Marlene Dietrich
In 1960, when Dietrich was touring with Burt Bacharach, Kobal snagged an interview with her and ended up sleeping in her living room suite. After meeting her, he was seized by the passion of meeting and interviewing his favorite stars. None of them disappointed and many of them overwhelmed him with their kindness and patience for his boundless enthusiasm.
During the 1960s and 1970s Kobal conducted a series of interviews with the great and often forgotten stars, directors, choreographers and photographers of the silent and classic film era. Interviews with many of the obvious choices (Bette Davis, for example) were excluded in favor of more obscure or forgotten stars (June Duprez, Evelyn Brent). It is interesting to read how some remember exactly how things were and do not sugar coat things (Louise Brooks, Joan Blondell, Loretta Young), some “misremember” things to their own advantage (Miriam Hopkins, Howard Hawks), while others lived in a hazy fog of even hazier memories.
Here’s the complete treasure chest of interviews:
Gloria Swanson Colleen Moore Dorothy Gish Olga Baclanova
Dagmar Godowsky Louise Brooks Evelyn Brent Camilla Horn
Lewis Milestone Anna Sten Mae West Anita Loos
Joan Blondell Eleanor Powell Arletty George Hurrell
Joan Crawford Joel McCrea Irene Dunne Katharine Hepburn
Bob Coburn Miriam Hopkins Lazlo Willinger Loretta Young
Ann Sheridan Joan Fontaine Jean Louis Ingrid Bergman
Howard Hawks John Engstead Ida Lupino Barbara Stanwyck
Vincent Sherman June Duprez Jack Cole Henry Hathaway
Hermes Pan Arthur Freed Kim Stanley Tallulah Bankhead
Melba Marshall/Lois Lindsay/Madison Lacy
Gloria Swanson Colleen Moore Dorothy Gish Olga Baclanova
Dagmar Godowsky Louise Brooks Evelyn Brent Camilla Horn
Lewis Milestone Anna Sten Mae West Anita Loos
Joan Blondell Eleanor Powell Arletty George Hurrell
Joan Crawford Joel McCrea Irene Dunne Katharine Hepburn
Bob Coburn Miriam Hopkins Lazlo Willinger Loretta Young
Ann Sheridan Joan Fontaine Jean Louis Ingrid Bergman
Howard Hawks John Engstead Ida Lupino Barbara Stanwyck
Vincent Sherman June Duprez Jack Cole Henry Hathaway
Hermes Pan Arthur Freed Kim Stanley Tallulah Bankhead
Melba Marshall/Lois Lindsay/Madison Lacy
Each interview is prefaced by a beautiful photo of the subject at the height of their career and a summary of their contribution to that magic state of mind called Hollywood.
Some of My Favorites
Gloria Swanson, sharp as a tack, and full of stories about her great fame as a silent star and her role as Norma Desmond, ending the interview by saying "I just get a little tired of talking about myself." So cute. An authentic star of the highest order, she played the role of "movie star" to the hilt. But Gloria never forgot who she was and she viewed her job with flinty realism. Her recollections are mainly spot on, but if she errs, Kobal never corrects during an interview. With her and many others, he merely footnotes the correction. What a gentleman.
Louise Brooks, granting 2 in-person interviews and several phone interviews to Kobal, reveals herself as the grand observer of the silent era and films in general. Her great spirit and incredible intelligence shine through in each and ever statement. For all of her problems (she was alcoholic, suffering form emphysema and suffering from arthritis), she is like a happy child when talking about movies. She quotes Proust to Kobal: "The only paradise is paradise lost." As she pours over decades of great stars and directors with Kobal, we can only agree.
George Hurrell, a total gossip! He describes Rita Hayworth as instinctively sexy "not too mentally alert," tattles on the massive retouching required by Rosalind Russell, and giggles over the chance shot photographer Frank Powolny got of Carmen Miranda in mid twirl with her skirt flying high in the air and no panties. He as kind words for Harlow, Crawford and Lombard and proclaims Garbo the sexiest of them all without even trying.
Some of My Favorites
Gloria Swanson, sharp as a tack, and full of stories about her great fame as a silent star and her role as Norma Desmond, ending the interview by saying "I just get a little tired of talking about myself." So cute. An authentic star of the highest order, she played the role of "movie star" to the hilt. But Gloria never forgot who she was and she viewed her job with flinty realism. Her recollections are mainly spot on, but if she errs, Kobal never corrects during an interview. With her and many others, he merely footnotes the correction. What a gentleman.
Louise Brooks, granting 2 in-person interviews and several phone interviews to Kobal, reveals herself as the grand observer of the silent era and films in general. Her great spirit and incredible intelligence shine through in each and ever statement. For all of her problems (she was alcoholic, suffering form emphysema and suffering from arthritis), she is like a happy child when talking about movies. She quotes Proust to Kobal: "The only paradise is paradise lost." As she pours over decades of great stars and directors with Kobal, we can only agree.
George Hurrell, a total gossip! He describes Rita Hayworth as instinctively sexy "not too mentally alert," tattles on the massive retouching required by Rosalind Russell, and giggles over the chance shot photographer Frank Powolny got of Carmen Miranda in mid twirl with her skirt flying high in the air and no panties. He as kind words for Harlow, Crawford and Lombard and proclaims Garbo the sexiest of them all without even trying.
Ann Sheridan comes across as the warm-hearted person we all knew she was. At the time of the interview, Sheridan had been diagnosed with cancer and was not looking her best. But she is jolly in her recollections of her days at Warner Brothers as the "Oomph Girl," and working with giants like James Cagney, Cary Grant and Bette Davis. A few weeks after their interview Kobal met Sheridan for lunch and, seeing her as he walked into the restaurant caused him to stop dead in his tracks. There, the center of attention, sat the Ann Sheridan he remembered. She was made up like a movie star and she was signing napkins, checkbooks and any and all odd slips of paper put before her for an autograph. Said Kobal: "She looked sensational. Then, before we said goodbye, she added, 'you know, darlin', I did this for you." What a gal, that Annie.
June Duprez, the beautiful princess of Korda's 1940 "Thief of Baghdad", tells a sad story. Poised for stardom, she was effectively blackballed by Korda's then-wife, Merle Oberon. Thanks to Merle, June was not even invited to the film's Hollywood premier. A gentle soul, she was ill used and advised by many more powerful than she, so much so that she was literally unable to find work. Hollywood was not a place for gentle souls like June Duprez.
Other Favorites
Vincent Sherman has a lot of great tales to tell as his days as a director (mainly for Warner Brothers), but nothing beats his tales of working with Bette Davis and Miriam Hopkins on "Old Acquaintance."
Loretta Young, Irene Dunne and Joan Blondell all give very realistic accounts of the unglamorous part of being a movie star.
Dorothy Gish, Mae West and Miriam Hopkins are not always in our reality. Evelyn Brent, a big star who fell into obscurity, is incredibly modest. Joan Crawford is so gracious and, despite her fame, her insecurity shows.
Each and every interview is carefully constructed. Kobal has the trust of his subjects and puts them at ease. Part of being a fan of Classic Hollywood is a consuming interest all of the behind the screen details. Like any good fan, Kobal knows exactly what we like. Good thing he knew how to get people to talk!
June Duprez, the beautiful princess of Korda's 1940 "Thief of Baghdad", tells a sad story. Poised for stardom, she was effectively blackballed by Korda's then-wife, Merle Oberon. Thanks to Merle, June was not even invited to the film's Hollywood premier. A gentle soul, she was ill used and advised by many more powerful than she, so much so that she was literally unable to find work. Hollywood was not a place for gentle souls like June Duprez.
Other Favorites
Vincent Sherman has a lot of great tales to tell as his days as a director (mainly for Warner Brothers), but nothing beats his tales of working with Bette Davis and Miriam Hopkins on "Old Acquaintance."
Loretta Young, Irene Dunne and Joan Blondell all give very realistic accounts of the unglamorous part of being a movie star.
Dorothy Gish, Mae West and Miriam Hopkins are not always in our reality. Evelyn Brent, a big star who fell into obscurity, is incredibly modest. Joan Crawford is so gracious and, despite her fame, her insecurity shows.
Each and every interview is carefully constructed. Kobal has the trust of his subjects and puts them at ease. Part of being a fan of Classic Hollywood is a consuming interest all of the behind the screen details. Like any good fan, Kobal knows exactly what we like. Good thing he knew how to get people to talk!
"People Will Talk" is available for a range of prices from a variety of sellers on line, including Amazon.
Click here to view the Kobal Collection.
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