Barbara Stanwyck in “Christmas in Connecticut”: Just One of Us

This is my contribution to the Barbara Stanwyck blogathon hosted by Aubyn at The Girl With the White Parasol. Click here to see the many tributes laid at the feet of the great Missy.

I don't "do" diapers!

Barbara Stanwyck was the greatest movie actress. Period. Maybe not the greatest film actress, or cinema star (though you could make an argument for her in each case), but when it comes to plain old movies, the medium of the masses, she can’t be beat. Stanwyck is right up there with Davis, Crawford, and Garbo. Like those great screen actresses, her resume of fine performances is held in the highest esteem. Davis, Crawford & Garbo were actresses of great emotion, close-ups and drama. Stanwyck was the perfect middle-range actress. Most people don’t live their lives at the highest pitch offered by the great ladies. We live it in that middle range and that is why Stanwyck seems so real, so “one of us.”

There is another thing about Stanwyck that sets her apart from, and for me, above, those great ladies: she is funny! Davis, on film, didn't have a funny bone in her body, Crawford could do it, but never with a light touch, and Garbo, save for one performance, was simply not interested. But Stanwyck - ah, she was light as a feather, sharp as a tack and packed the subtle punch of a Singapore Sling. 

"Christmas in Connecticut" (1945) is a minor comedy, but it is so charming, and Stanwyck is so endearing that I find it irresistible. Playing Elizabeth Lane, a “bachelor girl” with no domestic talents, she writes a domestic column that presents her as the Martha Stewart of 1945, happily living on her farm in Connecticut with her husband and baby. In reality, she lives the single life in a New York City apartment. This masquerade is only known to her good pal, Felix (the adorable S.Z. Sakall), a gourmet cook who supplies Elizabeth with all of her recipes,  and to co-worker, John Sloan. Things are going so swell for her that she goes out and buys herself a mink coat. I just love that about her. When I got my first really important paycheck I went out and bought a designer handbag. I can relate!

I love this woman!

But trouble is in the wind. Wholesome and wounded sailor boy Jefferson Jones (an earnest Dennis Morgan) just home from the front, longs for a good home cooked meal. A nurse (Joyce Compton) who is sweet on him, thinks Elizabeth Lane’s life would be the just the thing to perk up her sailor, so she gets Alexander Yardley (an engaging and likable(!) Sydney Greenstreet), the publisher of Lane’s magazine, to agree to invite the boy to spend Christmas with Elizabeth in her idyllic home. Yardley thinks this would be great publicity for his magazine. Remember, it was during World War II.

Elizabeth cons her boss. After all, she has to pay for that mink!

Elizabeth is thrown into panic mode, but manages to hatch a plan by accepting a marriage proposal from Dudley, a stuffed shirt friend who just happens to have a farm in Connecticut  Felix is brought along to cook and Elizabeth and John seem to have everyone fooled. They even manage to procure the baby of a maid and pass it off as Elizabeth’s.

Felix teaches Elizabeth to make pancakes
and awakens her inner domestic goddess

Naturally, it all goes to hell once Jefferson Jones shows up. He and Elizabeth fall in love and eventually the truth comes out: she’s not married, she has no baby, she can’t cook and she’s mighty available. Joy to the world.

Aww... they're in love ♥

Cute story and a great cast, but it's no "The Lady Eve." Yet, this is the kind of role that Stanwyck turns into gold. She just is – no fuss, no muss, wearing that New York Ruby Stevens accent like a badge of honor. She is lovely and tender, but she is nobody’s fool. We like this girl. She is real. She is one of us.

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John Gilbert: The Last of the Silent Film Stars by Eve Golden

John Gilbert's ex-wife Leatrice Joy compared him to mercury, but he was never swift enough to outrun his demons. In "John Gilbert: Last of the Silent Film Stars," Eve Golden gives us story of a great star whose fall was legendary.

The story of John Gilbert, in some form or another, has always been with us. Is he Don Lockwood in "Singin' in the Rain"? Is he George Valentin in "The Artist"? Rumors and conspiracy theories have never been laid to rest. Was his romance with Garbo manufactured by MGM? Did MGM sabotage his career? Eve Golden takes on the mercurial "Great Lover" of the silent screen and paints a detailed portrait of a man whose worst enemy was himself.

1923- Gilbert without his signature mustache when
he was known as Jack Gilbert (with Bebe Daniels in "St. Elmo")

Gilbert's story is well-known - or is it? He peppered his own history with many half-truths not, as some actors do to make their pasts prettier, but to make it even uglier. His mother was a stock company actress. They lived an itinerant life, moving from place to place. While his mother may not have won any awards as mother of the year, Golden claims she was not the abusive whore Gilbert claims that she was. Nevertheless, poor John Gilbert grew up with a sense that the world had robbed him of his just due, a feeling that never left him no matter how much fame was heaped upon him.

Gilbert paid his dues, starting as an extra with the Ince Studios in 1915. He served a long apprenticeship before signing with MGM and reaching stardom in 1924 with a string of hits that began with "His Hour," "He Who Gets Slapped," "The Merry Widow," and, most importantly, "The Big Parade."

Gilbert and Mae Murray in "The Merry Widow," a big hit for MGM and Gilbert

The tales of the making of "The Merry Widow" never fail to amuse. Gilbert actually comes off as Mr. Cool compared to the volatile personalities of Mae Murray and director Erich Von Stroheim, but he did have his moments, at one point stalking off the set and claiming to have quit the film.  Mae's account of running naked after him through the MGM parking lot (in only her tiny size 4 slippers) grew over they years. it seems that would have been a memorable sight, but no one but Mae seemed to remember it that way. Well, Mae was never one to let the facts stand in the way of a good story!

Gilbert and frequent co-star Renee Adoree in "The Big Parade"

These films cemented Gilbert's fame, not only as a romantic leading man, but as an actor of substance. He was MGM's biggest star. Yet, he was unhappy with his scripts, the quality of the filming and his treatment by his employer. Worse, he continuously groused to the press, raising the ire of studio boss Louis B. Mayer. He was perceived as an ingrate and Mayer was not entirely wrong. It is amazing to see how perpetually dissatisfied Gilbert was when he had achieved so much. His public moaning is hard to sympathize with and he tweaked the noses of many studio big wigs while he was riding high. This arrogance would come back to haunt him later.

Garbo and Gilbert set the screen on fire in "Flesh and the Devil"

1926 found Gilbert paired with MGM newcomer Greta Garbo in "Flesh and the Devil." He was top billed, but Garbo's star was rising. Their chemistry ignited the screen and spilled over into their private lives, as well. There has always been much speculation about the Garbo-Gilbert romance. Was it real or was it cooked up by the studio? Louise Brooks (who never met a conspiracy she didn't agree with when it came to Hollywood) thought it was manufactured to cover up Garbo's lesbianism, but it seems unlikely that the very private and shy Garbo would have gone along with such a sham. On the other hand, the stories of a planned wedding and the flowery love prose propagated by the purple press (mainly by Adela Rogers St. John), seems not to have been true, either. Instead, Golden gives us a story of 2 people who were in love for a time, one a little more than the other. Garbo and Gilbert made 3 silents together, all tremendous hits for both stars and their studio.

A rare outing for the lovebirds

Throughout the silent era, Gilbert was unstoppable. And then it all came to a crashing halt. He had signed a tremendous contact with MGM (which rankled Mayer) before the advent of sound and suddenly, he became an albatross around the studio's neck. Sound revealed his voice to be adequate, if a little thin and affected, but certainly not the high squeak of legend. However, his film persona, the great lover, became ridiculous overnight. Just as Chaplin knew his Little Tramp could never speak, the great lover needed to be silent. Dialogue like "I love you, I love you, I love you" repeated over and over again made Gilbert a figure of ridicule. One can only wonder what would have happened to Valentino had he lived.

Did MGM sabotage his career? Golden thinks not, but his past behavior made many loathe to help him. Clearly, the studio did not know what to do with John Gilbert once sound took over Hollywood. He belonged to an era of screen gods and goddesses. More down to earth stars like Cagney and Harlow and Gable were making the grade. Plus, Gilbert's salary was so large that it prohibited the studio from giving him a leading lady of real stature in any of his early sound films. After a string of fair to lousy films, he finally parted company with MGM in 1933. It was a bitter parting, as he had burned all bridges and alienated most friends.

Queen Christina: only Garbo's name above the title

But, he didn't stay away long. Garbo, who had survived the transition from silents to sound, requested him for her co-star in "Queen Christina." A young Laurence Olivier had originally been signed for the part of Christina's Spanish lover, but he proved inadequate. In a backward looking gesture to an old love and a glorious time, Garbo requested Gilbert and MGM agreed. The picture was a hit, but did little for Gilbert. He made one more forgettable film for Columbia.

During this period of decline, Gilbert systematically continued to drink himself to death. His marriages to Olivia Burwell, Leatrice Joy, Ina Claire and Virginia Bruce all ended in divorce. At the end, Marlene Dietrich attempted to help him both personally and professionally, but it was too late. At age 38 (in 1936), the bright star of John Gilbert burned and crashed when he died of a heart attack.

Eve Golden's "John Gilbert: The Last of the Silent Film Stars," is available at Amazon.

Gilbert's daughter, Leatrice Gilbert Fountain, has also written a loving tribute to her father, called "Dark Star." It, too, is available at Amazon.

It is my good luck that Turner Classic Movies is running a John Gilbert marathon this Wednesday, July 10th (his birthday). My DVR is set. Please take some time to get to know this important and tragic star.

6:30 AM	BARDELYS THE MAGNIFICENT (1926)
	A notorious womanizer falls for the woman he has bet he can trick into marriage. Dir: King Vidor Cast:  John Gilbert , Eleanor Boardman , Roy D'Arcy . BW-90 mins, TV-PG,
8:15 AM	SHOW, THE (1927)
	In this silent film, a sideshow dancer secretly loves the show's amoral barker. Dir: Tod Browning Cast:  John Gilbert , Renée Adorée , Lionel Barrymore . BW-76 mins, TV-14,
9:45 AM	WOMAN OF AFFAIRS, A (1928)
	Prejudice keeps a free spirit from the man she loves, triggering a series of tragedies. Dir: Clarence Brown Cast:  Greta Garbo , John Gilbert , Lewis Stone . BW-91 mins, TV-PG,
11:30 AM	DESERT NIGHTS (1929)
	In this silent film, diamond robbers get caught in a violent sandstorm. Dir: William Nigh Cast:  John Gilbert , Ernest Torrence , Mary Nolan . BW-62 mins, TV-G,
12:45 PM	REDEMPTION (1930)
	A man thought dead returns to find his wife has built a new life. Dir: Fred Niblo Cast:  John Gilbert , Renée Adorée , Conrad Nagel . BW-65 mins, TV-G,
2:00 PM	WAY FOR A SAILOR (1930)
	A devoted sailor jeopardizes his love life for love of the sea. Dir: Sam Wood Cast:  John Gilbert , Wallace Beery , Jim Tully . BW-85 mins, TV-G,
3:30 PM	PHANTOM OF PARIS, THE (1931)
	A magician is charged with killing his fiancee's father. Dir: John S. Robertson Cast:  John Gilbert , Leila Hyams , Lewis Stone . BW-74 mins, TV-PG,
5:00 PM	WEST OF BROADWAY (1931)
	A millionaire doesn't remember getting married but can't forget how much he hates his new wife. Dir: Harry Beaumont Cast:  John Gilbert , El Brendel , Lois Moran . BW-67 mins, TV-G, CC,
6:30 PM	CAPTAIN HATES THE SEA, THE (1934)
	A bond thief, a private eye and a drunken reporter wreak havoc on an ocean voyage. Dir: Lewis Milestone Cast:  Victor McLaglen , Wynne Gibson , Alison Skipworth . BW-85 mins, TV-G, CC,

Gilbert heats it up with newcomer Joan Crawford in 1927's "Twelve Miles Out."

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You're Invited! Joan Crawford's July 4th House Party

Say what you want about our Joan, she knows how to throw a party.

When it comes to being a hostess, Joan leaves nothing to chance. And because she's a patriotic gal, she wouldn't dream of letting Independence Day go by without a swell shindig at her place with all of her good friends (and you, too, of course!).

So, welcome to Joan's home!

Please make sure you remove your shoes....

First: Getting the house ready.
As we all know, Joan loves a clean house and in order to be party-ready she makes sure every inch of her gracious home is spic and span and ready for company.

Joan always adds a personal touch

Making sure the tennis court looks just right

The pool is looking fine

But just in case, she walks the perimeter for one last inspection

Next: Getting herself ready is both a mental and physical task.

Joan never appears less than perfect and will wear many outfits and hairstyles during her party. She is a star and it is expected of her!

This is serious business

Just in case Maurice Chevalier shows up

Joan finds the perfect outfit to welcome her friends to her July 4th party!

Next: The Guest List
Good friends make for a swell party.

Joan labored over her guest list

"Everyone into the pool!"

Joan and buddy Clark Gable enjoy a swim

Claudette Colbert looks as though she is having a good time

Ex-hubby Franchot Tone showed up with fireworks on his mind

Other ex-hubby Doug Fairbanks, Jr. also showed up, but he only had
the pool in mind. Joan always stayed friends with her exes.

Joan and dear friend William Haines share a lovely moment

Next: Food and Refreshments
It is important to make sure your guests are never hungry or thirsty.

Joan did a lot of the cooking herself - what a gal!

Joan keeps a watchful eye on director Clarence Brown as he cuts the cake

Joan loves to serve her guests

Joan believed in keeping her guests refreshed

For obvious reasons, Joan NEVER serves hot dogs at her parties

Last: FIREWORKS!
Because it is the 4th of July, Joan makes sure there are special fireworks for her guests.

Joan had big things in mind. Her party had to be spectacular.

This was a little nerve-wracking

Oops! That wasn't supposed to happen!

But Joan was game. She hopped right back on her rocket, sailed across
the sky and wished all of her guests a Happy Independence Day!

Wishing you all a glorious 4th!

p.s. A girl needs a little refresher after playing hostess all day! Drink up, Joannie. You earned it.

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What's Cooking? Great Cinema Cooking Scenes

I hate to cook. I love the idea of cooking, but I confess, my oven is used for storage and I'd be lost without a microwave.

Brooks cooks: Do you honestly
think Louise knew her way around the kitchen?

But since I love to eat, I really do appreciate the skill and creativity that tales place in the kitchen. And since my Mom's best dish was Kraft Macaroni & Cheese (my Mom was many wonderful things, but she passed the I-can't-cook gene to me), I am always fascinated by the culinary artistry displayed by those who are blessed with the talent. Just like Mickey Mantle was at home on the ball field and Secretariat was in his element in the home stretch, there are those whose true medium is food. Since I didn't get to see this close up and personal at home (see the macaroni & cheese comment above), I always get a kick out of a good cooking scene in the movies. Here are a few of my favorites.

Christmas in Connecticut

Barbara Stanwyck finds her inner domestic goddess and flips those flapjacks!

The Gold Rush

Charlie Chaplin makes do with the ingredients at hand and proves that it is all in the presentation.

Babette's Feast

A repressed woman whose life has known little pleasure wins a prize and spends it all on a luscious, sensuous banquet that is a celebration of food.

Chocolat

Food as delicious and delightful or immoral and sinful? I vote for yummy!

Julie and Julia

2 women find their creative voice in the kitchen and make us laugh and drool along the way.

Ratatouille

A rat with the soul of James Beard.

Big Night

This is my favorite "foodie" movie. I love the relationship between Primo & Segundo, the fact that the great Louis Prima was the cause for such excitement and I will never, ever order the risotto with pasta! A loving testament to food, love and family.

Did I miss any of your favorite foodie film moments?

p.s. My Mom did teach me that everything I need to know can be found at the movies♥

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